Twentieth Century Foxes Twelve centenarians reflect on women' progress an offer advice.
Time Capsule Capturing the century through the objects that changed women's lives
Women on The Verge of 2000

Ms.CELLANEOUS
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-Word: (My) Lord
-Weightlifter
-Have You Seen This Potato?

What About Tomorrow?>by Marcia Ann Gillespie
YOUR WORK:
-Go Figure: Wag Gap Wrangling
-Why the Consulting Business Is Becoming Woman Friendly
-Women Architects: If You Build It
-Worknotes
Who Knew? A compendium of women's deeds, feats, and innovations
ARTS:
-Great Leaps Forward -Artswatch
Being There A look back at the events that shaped and changed America during the twentieth century
BOOKS:
-Novel Companions: Writers on Books They Treasure

- Editor's Page
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- Making Waves
- No Comment

NEWS
- Activists: The Bottom Line for '99
-Liberte, Egalite, Parite
-NOW Does Hollywood
-Opinion: Abortion and Crime
-Women on the Verge of 2000
-Mexico City's Women Traffic Cops
-Opinion: Guns and Lobsters
-Indian Women Sue Canadian Feds
- Under Fire: The Year of the Gun
 
 
INTERVIEWS BY AMY ARONSON
WORDS BY:
Susan Minot
Erika Lopez
Molly Peacock
Linda Hogan
Ana Castillo
Ruth Ozeki
A.M. Homes
Lara Stapleton
Pearl Abraham
Edwidge Danticat
Danzy Senna
Cecilia Tan
<author of Caucasia (Putnam, 1998)>
First I would take Ralph Ellison's Invisible Man. One of the things that I worry about in the new millennium is that people will assume that we've somehow got distance on the past, and on what has happened in the twentieth century. This book is to remind us about the proximity of the past. We aren't in the future yet. We are still living in the present. And the present system continues to be crowded with invisible men and women, and I don't see it getting better. I would also bring my mother, Fanny Howe's, novel, which is still in print by Sun and Moon Press. It's called Deep North (1990), and it's an amazing story, dealing with race and gender, of a white woman crossing out of her world and passing as black in the sixties. For the third, it's a toss-up between three books that made me want to write. Dostoyevsky's Crime and Punishment, because it's huge and great and it always reminds me of why stories can cross all sorts of cultural lines and temporal lines and continue to change us. Anything by Colette, because she's so sexy and she also was my inspiration--her life and her books and her passion for women. And James Baldwin's Giovanni's Room (Lauraleaf, 1985), a book about a white bisexual man living in Paris and struggling with his sexual identity. It's a beautiful book and a daring one. It touches on my obsession with passing; it's about sexual passing, really. Baldwin, like Colette, is an inspiration for his life as well as his writing. But in reality, I'll be dragging a refrigerator-sized box of books into the next century!
 
 
 
           
     

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